Naked at the museum?

Last Thursday, the Museum of Sex in New York held a special night event that was supposed to be clothing-optional and was even promoted by Young Naturists America group. The ad looked to me rather fetish related, so I didn’t go and apparently didn’t miss much, as according to YNA report no one actually got naked. While many supporters of YNA were somewhat baffled that they promoted the event, I hope their presence raised awareness about nudism.

But I would be much happier if museums allowed clothing-optional visits on regular basis; especially, it would fit to watching antiquities and art from tropical cultures. And modern art? Probably too! By the way, if you’re in Australia you have a great possibility to do that in the end of the month: Museum of Contemporary Art in Sydney will have 3 days when you can visit it without clothes! This is what they say:

Gain a new perspective on the current MCA exhibitions by viewing them entirely nude. Remove the material barriers between artist and audience (literally) when you join artist Stuart Ringholt’s tour followed by a nude reception.

Sounds good, doesn’t it? I wish them success and perhaps MoMA will follow the example 😉

Swan Lake

swan 0000 Wannsee, Berlin, Germany

I’ve seen something that impressed me so much, I couldn’t skip it on my blog, although it has little to do with naturist activities…

Swan Lake, Pyotr Tchaikovsky‘s masterpiece, has been arguably the most popular ballet for decades and has also become classics in modern dance thanks to Matthew Bourne‘s interpretation, first staged in 1995 in London’s West End and never having a break since then with several tours around the world.

I first saw their billboards in Athens where they were on tour last autumn, but finally got a chance to see the show itself last weekend here in New York.

I won’t pretend being an expert in modern dance (although I do like it), but I hardly can imagine any other show that can beat Bourne’s Swan Lake in both choreography and emotional message, so beautiful and powerful, romantic and tragic. There is an interview with Matthew Bourne on youtube where he talks about New York’s production specifically. In short, the Prince is struggling with his false and exposed life where he cannot get love and understanding neither from his mother nor girlfriend, and then he sees (dreams of?) a flock of swans…

He falls in love with their leader, who is a reincarnation of everything the Prince actually wants to be: strong and free…

One of the things that struck me was that the swans in the show moved and behaved pretty much like swans in reality. I tell you as a zoologist 😉 , and I’ve seen plenty of them at the Wannsee lake in Berlin.)

The swans in this performance were not only gracious creatures, typically portrayed in Tchaikovky’s ballet, but also vigorous and sometimes fierce.

naturist & swan 0001 Wannsee, Berlin, Germany

They may come to you

swan 0000 Wannsee, Berlin, Germany

and bow gently.

naturist & swan 0002 Wannsee, Berlin, Germany

(oops! this one even slightly overdid it, putting his head underwater.) But they may also hiss and move menacingly if you come too close

naturist & swan 0005 Wannsee, Berlin, Germany

or simply leave all of a sudden…

And don’t even try to catch them:

naturist & swan 0000 Wannsee, Berlin, Germany

you are lucky if they decide to escape, otherwise they can actually hit you!

But if you are even luckier, perhaps you’ll be able to find your way to a swan… A possible interpretation of Bourne’s Swan Lake is a desire to be one with nature, whose symbol in the story is a swan. Maybe Matthew Bourn should have staged some of the scenes in the nude, that would certainly make the connection even more powerful and dancers’ moves even more beautiful…

naturist & swan 0004 Wannsee, Berlin, Germany

Anyways, this is how the Prince found his ultimate freedom…